Art against racism

While the demonstrations gathered around the Black Lives Matter movement continue all over the world, museums and cultural institutions also take a stand, finally with due urgency, deploying art against racism.

Museums for Black Lives Matter

Protests continue to gather around the Black Lives Matter movement in the United States. Dozens of cities around the world flared up following the assassination of George Floyd by Derek Michael Chauvin, an officer in the Minneapolis Police Department.

The protest also takes place on the net. After an initial moment of shyness, the museums of the United States are also starting to take a stand.

To support the culture of inclusion and equality, against racism and injustice MAXXI, expressed its profound solidarity. The museum now displays artists who put the accusation of a global problem and hope for change at the center of their message.

In particular, starting from 10 June, the Instagram @museomaxxi channel directs all its communication to the awareness. Because that’s a reality that can no longer be ignored. The museum does this through the images of ten works, which address and investigate the theme of discrimination. A dedicated page on the website will contain in-depth information on the history of the works and their message. The aim is to help stimulate a necessary collective reflection. This way, the gaze of art can once again be a precious tool for observing and understanding reality.

The ten works, selected by the MAXXI Artistic Director, Hou Hanru, together with the MAXXI curatorial team, are: Peripeteia (2012) by John Akomfrah; Ballet in Kibera (2017) by Sarah Waiswa; Le Merchand de Venise (2010) by Kiluanji Henda; Freedom of Movement (2017) by Nina Fischer & Maroan el Sani; The Emancipation Approximation (1999) by Kara Walker; Glenn Ligon’s Hands (1996); Robin Rhode‘s A Day in May (2013); Invisible Man (2018) by Yinka Shonibare; Foreign Office (2015) by Bouchra Khalili; T. W. Batons (Circle) (1994) by Kendell Geers.

Art against racism: a powerful tool for change

Black Americans have always had to fight for the recognition of their rights. The twentieth century was crossed by several waves of movements to ensure equality for all citizens.

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With Foreign Office (2015), Bouchra Khalili returns to the decade 1962-72, when Algiers became 'the capital of the revolutionaries' after the country gained independence. The city welcomed many militants from liberation movements across the world, such as Eldridge Cleaver's International Section of the Black Panther Party, Nelson Mandela's ANC or Amilcar Cabral's PAIGC (AfricanParty for the Independence of Guinea and Cape Verde). The artist proposes a reflection on how history is transmitted and a retrospective reading of a collective legacy, questioning the elements that make up 'History', its potential narratives and its resonance in the present . . Con Foreign Office (2015), Bouchra Khalili torna sul decennio 1962-72 quando Algeri diventò “la capitale dei rivoluzionari”. La città accolse numerosi militanti dei movimenti di liberazione da tutto il mondo, come la Sezione Internazionale del Black Panther Party di Eldridge Cleaver, l’ANC di Nelson Mandela o il PAIGC (Partito Africano per l’Indipendenza della Guinea e di Capo Verde) di Amilcar Cabral. L’artista propone una lettura retrospettiva e attuale di un’eredità collettiva e una riflessione sulle modalità di trasmissione della “Storia”, interrogandosi sugli elementi che la compongono, le potenzialità narrative e la sua risonanza nel presente. __ Photo © Musacchio & Ianniello On display at MAXXI for the ‘Road to Justice’ exhibition 22 June – 14 October 2018 The #MAXXIforBlackLivesMatter project aims in raising awareness and consciousness of the @blklivesmatter movement trough art. ? Link in bio #BlackLivesMatter #bouchrakhalili @galeriepolaris

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During the different phases of a story made of claims and struggles, art was a strategic element for the diffusion of the ideals of change. In the early decades of the century, in the aftermath of the wave of racial violence known as Red Summer, it was Harlem Renaissance that revealed to the United States the passionate creativity with which black communities across the country shared their experience and identity, the history of the abuses suffered, the struggles and the proud resistance, through music, literature and the visual arts.

The bursting force of that wave of change gave birth to groups and collectives such as Black Arts Movement and AfriCOBRA. Essential movements, which are unfortunately but tirelessly still engaged in the fight for equity.

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